Slave Counterpoint

Black Culture in the Eighteenth-Century Chesapeake and Lowcountry
Philip D. Morgan
Cloth price: $88
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Publisher: Omohundro Institute and University of North Carolina Press
Imprint: OIEAHC
Cloth/Hardcover Publication Date: 04/1998
Pages: 736
Cloth ISBN: 9780807824092


On the eve of the American Revolution, nearly three-quarters of all African Americans in mainland British America lived in two regions: the Chesapeake, centered in Virginia, and the Lowcountry, with its hub in South Carolina. Here, Philip Morgan compares and contrasts African American life in these two regional black cultures, exploring the differences as well as the similarities. The result is a detailed and comprehensive view of slave life in the colonial American South.
Morgan explores the role of land and labor in shaping culture, the
everyday contacts of masters and slaves that defined the possibilities and limitations of cultural exchange, and finally the interior lives of blacks--their social relations, their family and kin ties, and the major symbolic dimensions of life: language, play, and religion. He provides a balanced appreciation for the oppressiveness of bondage and for the ability of slaves to shape their lives, showing that, whatever the constraints, slaves contributed to the making of their history. Victims of a brutal, dehumanizing system, slaves nevertheless strove to create order in their lives, to preserve their humanity, to achieve dignity, and to sustain dreams of a better future.

About The Author

Philip D. Morgan is professor of history at Johns Hopkins University.


The closest [examination] yet made of slave life anywhere before the nineteenth century. . . . Morgan's account is exhaustive . . . in its detail, but it is more than a recovery of hard-to-find facts. It is informed throughout by Morgan's recognition that slavery, as an extreme form of domination, resonates with the ambiguities present in all human relations.--New York Review of Books

A major reinterpretation of early American history that should attract a wide readership.--Choice

Authoritative and detailed. . . . Morgan's synthesis draws upon a wealth of social, political, legal, economic, literary, religious and anthropological sources to illuminate through a variety of prisms what he calls 'the core contradiction of slavery--treating persons as things,' which guaranteed that master and slave would be thrust apart, even as they were bound inextricably together.--Los Angeles Times Book Review (Best Nonfiction Books of 1998 issue)

An exhaustive and authoritative synthesis of slavery in the Chesapeake (Virginia and Maryland) and the South Carolina Lowcountry, Slave Counterpoint is also a fine example of comparative history.--Richmond Times-Dispatch

A monumental social history of slavery in the eighteenth-century Chesapeake region and in the Carolina and Georgia low country.--Robert L. Paquette, Washington Times

A massive reconstruction of life in the 18th-century American South. . . . [Morgan] sets out to provide 'a balanced appreciation for the oppressiveness of bondage and of the ability of slaves to reshape their lives.' He has succeeded splendidly, and in the process reminded modern readers that the world of the 18th century is not so distant as they sometimes imagine.--New York Times Book Review

Only a historian at the top of his profession could have produced such a sweeping comparison of the development of the 'peculiar institution' in Tidewater Virginia and the South Carolina Low Country prior to 1790.--The Historian

Building on an extraordinary scholarly legacy, a prodigious amount of primary research, and a hallowed set of historiographical problems, Philip D. Morgan has written a book that is destined to be read and reargued for some time to come. . . . The most comprehensive social history of slavery yet written. . . . It is, then, as much for the extraordinary stories he tells as for the scholarly arguments he makes that Morgan is to be commended.--American Historical Review

Provides the fullest and closest examination of slave life in America since Eugene D. Genovese's monumental work Roll, Jordan, Roll.--Journal of Southern History

A master of the historian's craft, Morgan demonstrates truly breathtaking range and originality. His command of contemporary sources and the scholarly literature is second to none. Future studies of the origins of slavery in North America will necessarily take Slave Counterpoint as their point of departure.--Journal of Southwest Georgia History

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