Omohundro Institute of Early American History & Culture

Leading Early American Scholarship Since 1943


Books

Unless otherwise indicated, all Institute books are published and distributed by The University of North Carolina Press. For ordering information, call 1.800.848.6224 or fax 1.800.272.6817. Please note that these books can be purchased only through UNC Press and not through the Institute.

Fatal Revolutions

Natural History, West Indian Slavery, and the Routes of American Literature

Christopher P. Iannini

Cloth ISBN 978-0-8078-3556-2

Copyright 2012 by the University of North Carolina Press


Visit the University of North Carolina Press web page for this book.

Extensively researched and historically grounded, Fatal Revolutions is an important addition to eighteenth-century literary and cultural studies. It argues convincingly for the significance of the Caribbean, and particularly the complex discourses of natural history representing it, in British American thinking about race, nations, and enlightened culture. Iannini unearths a vast archive and leads us to reconceive the spatial and linguistic boundaries of colonial and early national study.

--Philip Gould, Brown University


Fatal Revolutions takes us on a fascinating journey of discovery. With an eye for detail as sharp as that of any naturalist he studies, Iannini examines the connection between natural history and plantation slavery in a way that makes the West Indies seem, not at all exotically peripheral, but intellectually central to the American narrative.

--Gregory Nobles, Georgia Institute of Technology


In this revolutionary text, Iannini expands our understanding of natural history as a genre central to the ‘world of letters’ that expressed the tenets of the American Enlightenment—not restricted to the mainland of British North America, but embedded in the Caribbean and tied inextricably to the culture of slavery upon which a circumatlantic plantation economy was bound.

--Amy R. W. Meyers, Director, Yale Center for British Art


Iannini shows that as circumatlantic networks of commerce, slavery, power, and revolution interwove natural science with the literary and artistic imagination, early American literature became saturated with the strategies of natural history. The implications are profound: no reader of this extraordinary and ambitious book will see the world of American letters in quite the same way again.

--Laura Dassow Walls, University of Notre Dame


Iannini skillfully incorporates leading scholarship in early American studies to suggest new directions for an ecocriticism that remains bound within national borders and that takes for granted strict categories of place. Required reading.

--Interdisciplinary Studies in Literature and Environment


Fatal Revolutions is a book of outstanding scholarship that will be of interest to a wide range of readers interested in Atlantic history, colonial nature, slavery, and "plants and empires." It is also a beautifully produced volume, sporting numerous striking illustrations that Iannini analyses with acumen and skill.

--Archives of Natural History


Any reader will enjoy the fresh perspective and the riot of tropical diversity provided by a Caribbean-centric vision of the origins of natural history.

--Isis


Fatal Revolutions is a significant contribution . . . in recent studies of the relationship between natural history and literary culture in European colonies in the Americas.

--Journal of American History


Iannini's text is an important, lucidly argued, and gorgeously produced study. It is necessary reading for literary scholars, historians, and art historians of the Atlantic World.

--The Americas


An ambitious book that will make path-breaking contributions to the study of early Atlantic literary culture, economy, and society.

--New West Indian Guide


[A] short, dense, and rewarding series of essays on writers on nature in the lower South and the West Indies. . . . Iannini is to be applauded for showing how [literary nationalism was] both more central to eighteenth-century discourse than has been usually appreciated and also more useful for understanding how modernity was expressed in the Americas.

--American Historical Review